For over 100
years the Coca-Cola Contour Bottle has brought happiness into people’s hands.
So, what do you give a 100-year-old as a birthday gift? Certainly not a makeover. Especially since its iconic beauty, which has stood the test of time, is loved all over the world.
Happiness in a Bottle
Instead, Coca-Cola Australia, took the concept of happiness ― merged it with modern technology, a love for great design and art, together with a growing community appetite for sustainability ― to the people.
The creative led to two distinct experiences and social media activations.
The first using the latest motion capture technology. The second, a throwback to the old sign writing era, before digital print technology took over.
Innovation — Experiential Laughter Technology
+ Wearable Pop Art
Just like a fingerprint, everyone’s laughter is unique.
Using motion tracking, sound and facial recognition,Coca-Cola Australia created a unique “happiness”
experience designed to capture people’s laughter in the form of wearable,
graphic art.
Brand manager Amy Byrne explains, “We developed software that captures the data of each person’s unique smile and laughter. The computer performs an algorithm to convert the weird and wonderful sound pitches in your laugh and the movement of your smile into a 2D image. We then print that onto an environmentally sustainable T-shirt ― each one made using three recycled PET bottles.
“The image, in effect represents your happiness at that moment in time. The more you laugh in front of the giant Contour Bottle screen and the bigger your smile, the bigger the image splashed across your T-shirt.”
Coke’s Laughter Capture Machines were available in pop-up activations in selected Westfield shopping centres, in August.
You can also participate with your home computer screen, if you allow access to the camera and microphone.
Give it a go!
Discover, capture and share your happiness image.
Melbourne’s Street Art Scene Celebrates the Curvy Contour Bottle
Continuing Contour’s centenary,Coca-Cola also took the iconic bottle design to the
streets, literally, with a mural project created by Melbourne-based, Apparition
Media.
Apparition’s Cofounder and Director Hamish McBride and team of artists, spent 200 hours painting a 28 metre-long pop art mural in central Melbourne, representingCoca-Cola ’s family of four cola
drinks.
Cue the drum roll…
Artists who worked on the Coke Contour mural included:
Hamish McBride
Marcus Fitzgerald
Christian Vine
David Lee Pereira
Jason Parker
James Dewing
Creating Immersive Experiences
Melbourne, the acknowledged heartland of Australian street art, proved an ideal venue to engage with locals and tourists according to McBride.
“During the installation you get people taking photos and posting them on Instagram. The campaign lives online long after the actual artwork has been replaced,” he said.
McBride said that passers-by reacted strongly to the human element involved in the campaign. Unlike digital advertising campaigns, or traditional billboard advertising, where the creative process is hidden, street art projects involving artists working over a period of days, directly engage the community, and have an authentic sensibility that is hard to replicate with other mediums.
“People like to see people painting the artwork. There’s an engagement that you don’t really get with a billboard, which can be up in half an hour. If you have six artists working for a week, people stop and interact, and watch what’s going on,” said McBride.
So, what do you give a 100-year-old as a birthday gift? Certainly not a makeover. Especially since its iconic beauty, which has stood the test of time, is loved all over the world.
Happiness in a Bottle
Instead, Coca-Cola Australia, took the concept of happiness ― merged it with modern technology, a love for great design and art, together with a growing community appetite for sustainability ― to the people.
The creative led to two distinct experiences and social media activations.
The first using the latest motion capture technology. The second, a throwback to the old sign writing era, before digital print technology took over.

Using motion tracking, sound and facial
recognition, Coca-Cola Australia created a unique “happiness” experience
designed to capture people’s laughter in the form of wearable, graphic art.
Just like a fingerprint, everyone’s laughter is unique.
Using motion tracking, sound and facial recognition,
Brand manager Amy Byrne explains, “We developed software that captures the data of each person’s unique smile and laughter. The computer performs an algorithm to convert the weird and wonderful sound pitches in your laugh and the movement of your smile into a 2D image. We then print that onto an environmentally sustainable T-shirt ― each one made using three recycled PET bottles.
“The image, in effect represents your happiness at that moment in time. The more you laugh in front of the giant Contour Bottle screen and the bigger your smile, the bigger the image splashed across your T-shirt.”
Coke’s Laughter Capture Machines were available in pop-up activations in selected Westfield shopping centres, in August.
You can also participate with your home computer screen, if you allow access to the camera and microphone.
Give it a go!
Discover, capture and share your happiness image.
Melbourne’s Street Art Scene Celebrates the Curvy Contour Bottle
Continuing Contour’s centenary,
Apparition’s Cofounder and Director Hamish McBride and team of artists, spent 200 hours painting a 28 metre-long pop art mural in central Melbourne, representing
Cue the drum roll…
Artists who worked on the Coke Contour mural included:
Hamish McBride
Marcus Fitzgerald
Christian Vine
David Lee Pereira
Jason Parker
James Dewing

A team of six artists
spent 200 hours painting a 28 metre-long pop art mural in central Melbourne,
representing Coca-Cola ’s family of 4 cola drinks, and celebrating the 100-year-old
Contour Bottle. Photo Credit: Apparition Media.
Melbourne, the acknowledged heartland of Australian street art, proved an ideal venue to engage with locals and tourists according to McBride.
“During the installation you get people taking photos and posting them on Instagram. The campaign lives online long after the actual artwork has been replaced,” he said.
McBride said that passers-by reacted strongly to the human element involved in the campaign. Unlike digital advertising campaigns, or traditional billboard advertising, where the creative process is hidden, street art projects involving artists working over a period of days, directly engage the community, and have an authentic sensibility that is hard to replicate with other mediums.
“People like to see people painting the artwork. There’s an engagement that you don’t really get with a billboard, which can be up in half an hour. If you have six artists working for a week, people stop and interact, and watch what’s going on,” said McBride.

“People like to
see people painting the artwork. There’s an engagement that you don’t really
get with a billboard, which can be up in half an hour”, said McBride. Photo Credit: Apparition Media.

Photo Credit: Apparition Media.
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